Resonancias (2015-2017)
Movement and listening devices
Develop together with Maria Jose Trucco and Elina Rodriguez (Centro Rural del Arte ) Fernando Godoy and Esteban Agosin (Tsonami), Katalina Mella and Gerardo Figueroa, Raul Díaz, Andy Dockett, Vannia Villagrán and Mauricio Claro.
Supported by the National Arts Council, Metropolitan Park and Spain Cultural Center.
RESONANCIAS is a field of artistic experimentation that brings together performative practice and sound production in a context of creation, which invites to think and feel the specific environment of Cerro San Cristobal in Santiago.
The project invites artists from different disciplines to create Outdoor participation devices, oriented to the encounter with temporalities and collective dynamics of the urban being, in actions and laboratories open to the public.
A second phase, Indoor, takes place at the Centro Cultural España, where the creative materials are brought together in an installation that reveals the political, relational and perceptual dimensions that tension the in-situ experience, the ephemeral and the documentation.
A transpolation of territories, with porous limits, that reinforces the lived experience and where documentation and archives are opened as an observation of a process that is reflected in the perspective of time.
For more archives of the process visit:
https://resonante.cl/
Resonancias Danzalborde
Concept, direction and sound devices: Paula Montecinos
Documentation, graphic design and technical support: Andy Dockett
Collaborators: Carolina Marin, Felipe Allende.
Acknowledgments: Spain Cultural Center, Santiago Metropolitan Park, Valparaíso Cultural Park and Danzalborde Festival.
It is an urban sonic intervention for site-specific, which invites performative action through a sensitive encounter with the environment, listening and movement. In this, it is of interest to activate a change in the habits of perception, opening up a possibility of transformation and reflection on our ways of participating in the world.
A group of people begins a drift through the city. Through mobile sound devices, small gestures and actions, they awaken a new interest in movement. It is a performance that occurs at the moment of listening and that invites us to subvert our frontal and linear orientation, allowing ourselves to be moved by the sound. Perception becomes more acute, peripheral vision increases and the crucial action of shifting weight between one step and another, envelops the group in a joint state of being and advancing, which synchronizes and desynchronizes, stops and resumes its rhythm.